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Native American

An Interview with Jim Standing Bear

Length-1 hour, 24 minutes, 28 seconds

Dr. Kevin Keough, host of the Warrior Traditions Podcast, interviews Jim Standing Bear.

Jim_standing_bear

Jim Standing Bear

Jim Standing Bear Wheatley is a Comanche/Choctaw artist. His father was adopted and the road to discovering his ancestry has been a long and difficult. Jim's prayers come to him sometimes in the early morning with the sun, sometimes by a river bank, and sometimes when he is with his wife and son. Creating with the wood is his way of sharing what is inside. Even the wood is specially selected. Each piece must speak to his heart. Jim believes that using the pictures of the old ones is a way of honoring their lives and keeping their wisdom alive in all of our hearts.Some writings are original and some are quotes from great Native Americans of the past....

Special orders can be created if there is a saying or prayer that is meaningful to the person wanting the piece.The native peoples are very important to Jim. One of his greatest joys is speaking with the Elders and listening to their stories. Originally, the wood creations started because Jim had the need to share what was in his heart. He felt it was something he had to do. has become his way of getting in touch with his spiritual side. Visit the Dakota S.W. Traders website and the Tiger Mountain Ranch Resort website.

A Pledge of Allegiance

Bear_warrior

I pass along something from my brother Bear Warrior. This works for me.....
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My Pledge of Allegiance

I pledge allegiance to Creator and to the path Creator has put me on. I pledge allegiance to my family, to my ancestors who walked before me and to my future generations who will walk after me. I pledge to walk the way of the warrior, to protect those who need protection, to guide those who need guidance, and to help those who need my help. I pledge to be a man of honor and integrity and to do my part in making this world a better place to live. Aho.

Bear Warrior

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SMOKE SIGNALS-FATHERS AND SONS

" I miss my father"
--Me
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My father was born 75 years ago-today. He died about 15 years ago. I remember him as a good man. He wasn't around much because he worked most of the time. Apparently, he spoke of having 12 kids; he made it half way.

My father's relationship with his father was too tragic to recount or hear. My relationship with my father was distant and became very strained and volatile until his death. We had no contact at all for 7 years prior to his death except one Hellish encounter one Easter Morning.

My father worked himself to death to achieve 'solid provider' status.

I learned a new word--"pre-deceased" as I learned he'd written me out of his will. It was an honor in a way. He was ripped that he couldn't buy me. In the end, he asked a few guys to tell me he respected the fact I couldn't let him buy me.

I've grown increasingly close to my father since his death. I remember a few good times and tales of even more. I miss him. The forgiveness process wasn't so hard. I'm still learning to get close to him or in some balance with him.

My father had a very dark side. Yet, he was a good man. I wouldn't request a different father if such an option existed. I hope he was okay with me as a son.

I tell my son the good things about his grandfather; he hears enough unpleasant stuff from his aunts.

Me and my son are ending the cycle of tragic father-son relationships that run up the family tree as far as the eye can see.

We honor our ancestors together. We have fun. We do the father-son jig pretty well. I am the most fortunate father in the world. I still miss my father.

Today, I speak of my father from the heart of my soul. I am proud to have you as my father. I pray to walk in balance to honor you and my son.

Happy birthday . I'm gonna get this poem that was recited at the end of "Smoke Signals" posted somehow. Michael and I have watched it about 14 times---perhaps our favorite movie.
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From "Smoke Signals"

How do we forgive our Fathers?
Maybe in a dream
Do we forgive our Fathers for leaving us too often or forever
when we were little?

Maybe for scaring us with unexpected rage
or making us nervous
because there never seemed to be any rage there at all.

Do we forgive our Fathers for marrying or not marrying our Mothers?
For Divorcing or not divorcing our Mothers?

And shall we forgive them for their excesses of warmth or coldness?
Shall we forgive them for pushing or leaning
for shutting doors
for speaking through walls
or never speaking
or never being silent?

Do we forgive our Fathers in our age or in theirs
or their deaths
saying it to them or not saying it?

If we forgive our Fathers what is left?

~ Dick Lourie

NOTEWORTHY HAPPENINGS

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"The frog does not drink up the pond in which he lives"
--Sioux
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Seems nearly all Native American proverbs are 'spot on' as the Canadians say. Some of them nail the Achilles heel of modern civilization.....it's like watching a 'Greatest of the Greatest hits in football, or seeing a 'poetry in motion' block-strike that ends the matter before it really begins. Now, the little quote above is a 100-200 years old-they could see the future back in the beginning. It's nothing supernatural. It's keen observation of people and the laws of nature.

Red folks have developed a very dark biting sense of humor over the last 500 years or so. If you are a 'venture capitalist', it would be wise to back a group of Indian comedians. They will stand and deliver....as sure as spring follows winter, as sure as the sun will appear yet again, tomorrow.

AMERICAN INDIAN WALK HIGHLIGHTS SACRED PLACES

RENO GAZETTE-JOURNAL
February 19, 2008
Matt Farley


In the 30 years since the first Longest Walk march flooded Capitol Hill with activists fighting for American Indian rights, thousands of places sacred to American Indians continue to be desecrated and developed, an official of the International Indian Treaty Council said Monday.



Jimbo Simmons and other supporters of American Indian sovereignty launched the Longest Walk 2, a re-creation of the 1978 walk, that stopped Monday at an informal powwow at the Carson Colony gymnasium.

"It's more successful (than the original) in terms of outreach to the public," Simmons said. "We're reaching out to as many people as possible.

"If we get 2 million people walking into Washington, D.C., on the same day, that will draw some attention. And at this point, I believe that's possible."

About 40 people have committed to walk the 3,600 miles from San Francisco to Capitol Hill to draw attention to the damage being done to sacred places and the Earth, Simmons said.

A larger party walking through the South is expected to join the group in Washington to stage a re-creation of the original event, organized to protest a slate of legislative bills that supporters believed would undercut American-Indian sovereignty.

That effort, which drew the support of celebrities such as Marlon Brando and Muhammad Ali, was eventually successful, Simmons said.

Since marchers left the Bay Area on Feb. 11, spending nights at public facilities and Indian reservations, their number has grown and diversified, he said.

Brandt Larsen, a California native who drove to Carson City to join the march, said he planned to remain with the group until it reaches Washington on July 11.

"My grandmother was Sioux, but I was never looked at as (American Indian)," he said. "I never asked to be looked at that way, but this is something I really feel like I should do. The whole country is sacred, but nobody treats it that way."

Simmons said he often has trouble articulating American Indians' concerns about the environment to people from other belief systems.

"We don't have to go to a building or a church to pray," he said. "We can pray anywhere. All land is sacred. Sometimes, that's hard to understand."

The group's worship service near Cave Rock at Lake Tahoe was interrupted by a group of boaters who insisted they move away from the water's edge, Simmons said.

"They were saying, 'We deserve to be here because we paid,'" he said. "But, you know, we were there first. We feel like the human family has one commonality, and that's Mother Earth. We were trying to protect that (during the first march), and we still continue to."

The walk took on a festive air when Oakland residents Calvin Magpie, 25, and Estela Sophia Cuevas, 24, announced they would be married Monday night in a ceremony ending with them being wrapped together in buckskins and a single blanket, Magpie said.

"We were planning to do it in July, but we're going to be walking during the whole time we (should be) planning," he said. "This way, it will be something we can always remember and tell our children."

Magpie laughed and shrugged.

"Plus, you know, it's kind of a spiritual thing. Like the two of us walking on this Earth together."

THE long walk

The Long Walk memorializes the campaign led by Col. Kit Carson in 1864 against the nomadic tribes of New Mexico Territory, primarily the Navajo, to force them to Fort Sumner on the Bosque Redondo Reservation in eastern New Mexico.

Carson's troops destroyed Navajo crops, orchards and livestock and marched 8,000-9,000 American Indians on a 300-mile journey that survivors remembered as a death march.

About 200 people died of cold and starvation during the "Long Walk" of the Navajo people.

Visit the Longest Walk 2 website

NO PASTURE FOR A CONDUCTOR

INVITATION TO IMAGINATION AND COLLABORATION

Joe1

Maestro Joseph Eger

Nearly a year ago, I called the Symphony for United Nations (SUN) to get an email address for Maestro Joseph Eger. I wanted to pass on some thoughts about his new book and suggest few grandiose ideas for SUN. Well, the Maestro answered the phone ! It took a few seconds for me to orient to this unusual opportunity. About 45 minutes later, the telephone call ended for the day. Somehow, we go on like old friends. I've been fortunate to get to know this extraordinary man. It's a bit like touching history.

He is an 87 year old man who has been "looking around to see who wants to get some things started". In 9.2007 he started to light a fire under and breathe new life into the 'executive branch' of SUN. He is working on a number of projects. Today he confirmed that SUN will support the   "LONGEST WALK II" via media releases and a series of musical events to honor and celebrate the Walk. He is working on quite a few other projects.

It dawned on me that there would be some readers who'd be interested in getting involved in one of his projects....anybody from any field with an interest in the man and his ideas. We really tend to want to put our Elders out to pasture. This guy is capable of putting us youngsters (this 48 year old anyway).

Please consider passing this message on to anybody you know who might have an interest. This isn't just a musician thing. Lots of people write. He is fascinated by the similarities between music and martial arts. There are books to be edited. We are working on a documentary. There is a big musical event that is being organized. There are no tests to pass. Anyone is welcome. Bridges are being built. History is unfolding. Might as well come aboard and go along for the ride.

We have an opportunity to learn from and give something to quite a few Elders from many different cultures ...right here and now. Let me know if you are interested.
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BACKGROUND INFORMATION

Maestro Joseph Eger (http://www.symphonyun.org/about.html) is Music Director of the Symphony for United Nations (SUN)and principal Guest Conductor of the Central Philharmonic in Bejing. Eger has conducted, guest conducted, or performed with some of the major orchestras in the world in London, Moscow, New York, Pittsburgh, Chicago, Dallas, Boston, Athens, Haifa, Bucharest, China, Greece, Canada, Vienna, Los Angeles, Washington, D.C., and elsewhere.

He was Associate conductor to Leopold Stokowski. Eger toured worldwide as a solo concert artist on the French Horn. The New York Times called him one of the "greatest French horn players alive". He is widely considered to be one of the most venerated classical conductors of his generation.

He has produced and conducted numerous innovative events including: twelve historic concerts in Carnegie Hall, combining for the first time, symphony and rock music; the first multimedia show; a Lincoln Center concert with John Lennon and Yoko Ono; a unique symphony/rock/jazz concert at the Apollo Theatre in Harlem; and similar combinations. He has initiated city-wide festivals in New York, Pittsburgh, and elsewhere winning five mayoral awards.

He was one of two men in the world (with Robert Muller, Assistant Secretary General of the United Nations, et.) who received the Eleanor Roosevelt Man of Vision Award from 500 Women of Vision in the U.S. Capitol. Maestro Eger has taught and given master classes at Aspen Institute, Peabody Conservatory, the Universities of Pennsylvania, North Carolina, etc. and abroad.

. He is a remarkable man whose life story is the stuff of great films. He befriended international figures in the worlds of music, physics, and social activism. He overcame enormous odds in ridding himself of prostate cancer via a self-created unorthodox treatment regimen. He remains a tireless advocate for peace in the Middle East; these efforts have angered many of his fellow Jews. He is the author of a fascinating book called "Einstein's Violin: A Conductor's Notes on Music, Physics, and Social Change(2005). Eger is completing a new book covering similar themes.

At the age of 87, Maestro Eger shows no inclination to slow his pace. He runs or swims in the Atlantic Ocean every day except when traveling. Not long ago, a newspaper quoted him as saying "I'm just keeping my eyes open for some people ready to make some good things happen". During the 1970's "Rolling Stone" magazine called him "the only trustworthy person over 30" Eger has announced his intention for SUN to honor and celebrate the "Longest Walk II" by media releases, and a series of musical events in coordination with representatives of the "Longest Walk II". He remains open to musical collaborations with contemporary musicians of all backgrounds.

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About "Einstein's Violin"

Joseph Eger's life is a testimony to the power of music. Among the most venerated classical conductors of his generation, Eger has discovered within music a universal language that not only unites people across cultures but also suggests something about the physical rules of life itself.

Einstein's Violin is an astounding survey of music's tremendous power—from cultures using it to improve harvests, cure the outbursts of the mentally ill, and worship God;
to Eger's personal experiences of bridging nations; to its far-reaching implications for twenty-first century physicists

In Einstein's Violin, Eger distills more than half a century of personal experience and what it has taught him about how music is uncannily similar in its design to the concepts of "string theory" that have become overwhelming popular in today's theoretical physics. Eger deals with how music relates not only to the physical world but to the social one as well. He was among the first classical performers to see music as a force for change, leading him to cross enemy lines in the Middle East, to perform fusion concerts with rock stars including John Lennon, and to become a voice for social advocacy from the hearing rooms of the House Un-American Activities Committee to the stage of Harlem's Apollo Theater.

Eger's life is a tour through the music and science of the twentieth century. In Einstein's Violin, readers encounter intimate portraits of prominent figures such as Leonard Bernstein, David Bohm, and Albert Einstein. Eger also probes the origins of ancient music in the hands of the Hebrews, Egyptians, Hindus, ancient Chinese, and the schools of Pythagoras to plumb the sources of this unifying language of the universe.

"Einstein's Violin is an extraordinary -- and richly entertaining -- look at how music reveals the inner workings of our world. Maestro Joseph Eger, one of the pioneering classical conductors of the twentieth century, shows how music, science, and social issues are intimately connected -- and how the structure of music unites each. Whether you are interested in classical or other forms of music, leading-edge quantum physics,or the social issues facing our warring planet, Einstein's Violin will teach you to look
at each in a different way -- indeed because it is the same."
MARVIN HAMLISH.

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